Tuesday, October 26, 2010

The Wager Review (Donna Jo Napoli)

Don Giovanni is no beggar. A few months ago he was the wealthiest and handsomest young man in Messina, until a tidal wave washed away everything he owned. Though he's now homeless and poor, he still has his pride - and his good looks. Yet winter is coming, and Don Giovanni has nowhere to go, nothing to eat.

When a well-dressed stranger offers him unlimited wealth in exchange for a simple-sounding wager, Don Giovanni knows he shouldn't take it. Only the devil would offer a deal like this, and only a fool would accept. But Don Giovanni is desperate. Against his better judgment he enters into a deal with the devil: he will not change his clothes or bathe for three years, three months, and three days.

Beauty is a small price to pay for worldly wealth, isn't it? Unless Don Giovanni loses the wager - and with it, his soul.

The Wager is based off of an old Sicilian fairy tale, so you can assume that Don Giovanni actually does make a bargain with the devil. But that is as far as this book goes toward supernatural/magic content.

It has been a long time since I've read one of Donna Jo Napoli's books. I remember most of her stories with fondness and a little frustration toward her characters. Don Giovanni is aggravating, but The Wager is one of those tales where you don't particularly care for any of the characters (except Cani, his dog). You read it out of curiosity, and you finish it out of curiosity. I didn't care what happened to Don Giovanni, I didn't particularly feel sorry for him, and I didn't dislike him, either. It was very difficult, for some reason, to attach to Don Giovanni in any manner.

Which may partially be why this is a book that is difficult to get through. But it isn't the only reason. The Wager is not a book you should read while you are eating a meal, or if your stomach is empty. The whole premise of the story is how Don Giovanni copes with not bathing, changing his clothes, or combing his hair for three years, three months, and three days. Donna Jo Napoli likes detail, and when a story's premise is about someone who doesn't bathe for that long, you can imagine where her detail focuses. Dirt. Filth. Stench. The resulting effect on a person's physical health when they don't wash. It would turn anyone's stomach. On top of that, the devil finds various ways to make Don Giovanni's filth increase, and there is a particular incident that is really disgusting. I had to stop reading because my stomach was so hungry, and it was turning to a degree that threatened to make me physically sick.

That, unfortunately, isn't the only content. Don Giovanni loves women, and everyone seems to give themselves freely to him. While there are no actual sexual scenes, there is lots of alluding to past relationships, as well as pleasant feelings compared to physical, intimate contact with a woman. Most of this is in the beginning of the book, and it isn't terribly explicit, but it is worth noting.

The Wager was an interesting story, but I don't think I'll buy it, and I certainly won't read it again. Definitely not for weak stomachs.
Star Rating: 2/5 (it was ok)

Saturday, October 23, 2010

Reckless Review (Cornelia Funke)

For Jacob Reckless, the real world holds nothing but heartache and trouble. He hates it. But in the Mirrorworld, he can escape all of that and live a life of adventure and danger. But one fateful day Jacob's younger brother Will follows him, and when an accident starts turning Will into a monster, Jacob has to abandon his usual life in the Mirrorworld and save him. Before it's too late. The Mirrorworld holds thousands of dangers not even the Brothers Grimm could dream up, but with the help of Clara - Will's true love - and a young vixen named Fox, Jacob may just succeed.
Cornelia's new masterpiece kept me turning the pages. The Mirrorworld is like a land populated with darker versions of classic fairy tales. And of course, Cornelia also populates this world with her own original creatures. As usual, her writing style is fluid and very vivid, conjuring up a world that only children are able to see. But Cornelia brings back that childhood feeling to her older Readers, making it an enjoyable read for anyone.

For those who loved her Inkworld Trilogy - Reckless will not disappoint. The Mirrorworld is as rich as the Inkworld - and just as fantastic. I really do love Cornelia's fairy-worlds; they possess the classic style of old German fairy tales. For this story, Cornelia did something a little different. While her other characters and places in previous books took on Italian names, this one had German-like names. Also, the Mirrorworld has taken on the technology and fashion of the early-to-middling Victorian era. You wouldn't think that dwarves and trolls and fairies would fit into an era like that, but Cornelia does a remarkable job with what is usually paired with medieval times, and putting it into a more modern era. I certainly never thought ogres and seven-league boots fit in with trains and factories.

The characters themselves are both enduring and frustrating - but not to a bad degree. Will's undying trust in Jacob can be a little irksome, but it is hard to fault him for it. At first, Clara threatened to be a useless tag-along who can't do anything, but she turns out to be brave and tries to help as much as she can. Fox was my favorite - she was the most sensible and kept everyone on track.

And now Jacob . . . I will admit that he wasn't nearly as annoying as I was expecting him to be. He thinks only of his brother the entire time of their quest, constantly blames himself for what happened, and is overall trying to do what's right. The times he messes up are not due to any true recklessness on his part. There are some things that just can't be stopped. Even the most experienced adventurer runs into trouble now and then. Really, what was most annoying about him was his womanizing.

No, he does not - thank goodness - chase after every girl and flirt 24/7. Nor does he always go on about his good looks, how no girl can resist him, etc. But there are plenty of alludements to his past relationships - most of which the book seems to hint eventually led to intercourse of the most intimate kind. There is actually a scene in the book that - though hinted at in the most delicate words and in as few as possible - it is clear what he and the woman are doing. It's really hard to like a character when they act so dishonorably. And Jacob is likeable in every other way! Very frustrating.

Reckless by Cornelia Funke is just as good as her other books. It's dark - there are instances that will scare younger Readers, especially when the Tailor appears - and there are more sexual alludements than I would like to find in a kid's book. They would go over a younger Reader's head, for Cornelia is never explicit, but it is something to keep in mind if you're considering reading it out loud to a kid. Other than that, it's exciting and a quick read. And judging by the way it ends, there may be a sequel in the future.

Star Rating: 4/5 (really liked it)

Others in The Mirrorworld Trilogy:
1)Reckless
2)Fearless

Monday, October 18, 2010

The Body at the Tower Review (Y.S. Lee)

Synopsis: Mary Quinn is now a trusted member of the Agency - the all-female detective unit operating out of Miss Scrimshaw's Academy for Girls. Her new assignment sends her to the building site of the Houses of Parliament, dressed as a pauper-boy, in order to investigate the mysterious death of one of the workers. Though Mary spent most of her younger years in the guise of a boy, this assignment proves to have its difficulties in maintaining her assumed identity - especially when James Easton reappears as inspector of the site's safety. There are games afoot, and Mary has little time to solve it before another death occurs.

Review: I cannot say how much I love mystery stories set in Victorian England. The Agency series is a bit earlier in the Victorian era than I especially like reading about, but it isn't too early to make me completely disinterested. As usual, Y.S. Lee terrifically captures London's dark, dank streets with her well-researched history and language. Unlike A Spy in the House (Book 1), her visual descriptions do not bring a Reader's mental eye too close for comfort. And also unlike A Spy in the House, the ending was not nearly as cliche and irritating.

But . . . James Easton. I cannot tolerate him, nor the conversations he and Mary have. Their bantering is a little better in this one than in Book 1, but it still exceeds an annoying factor that made my eye twitch, set my teeth on edge, and made me wish that a horse would run over James. His arrogance and womanizing causes his "cheeky" and "shining" grin to be as a mosquito in one's ear. It's not cute; it's just as disgusting and pathetic as those adolescent males who think if they ooze charm, one will forget their lack of honor and instead believe lack thereof to be endearing. I wanted to yell at Mary that she was far more intelligent and sensible than to fall for James's nauseating flirtations. Why - oh why - can authors no longer write leading male characters that are honorable and pleasant to be around?! This seemingly very simple fact made The Body at the Tower a very hard read, and also made it fall short of what it could have been.

Maybe Book 3 will be better?

Overall Rating: JJJ

Other Books in The Agency Series:
1)A Spy in the House
2)The Body at the Tower

3)The Traitor in the Tunnel

Thursday, September 16, 2010

Princess of Glass Review (Jessica Day George)

Having once been cursed to dance every night with her sisters, Princess Poppy has vowed never again to put on a pair of dancing slippers. Which is why she's reluctant to participate in the royal exchange program that her father and some of their neighbor kings have cooked up.

Life in far-off Breton isn't so bad, not when there's money to be won playing cards and a handsome prince promising friendship . . . and maybe something more. But when a hapless servant named Eleanora enters the picture and sets her sights on the prince, too, which girl will win his heart? And who is behind the magnificent gowns and slippers that the penniless Eleanora has been wearing to the balls? Only Princess Poppy can see through the magic that holds the rest of the kingdom in its spell. And having fought against one curse before, she's just the girl to take on another!

Once more, I am impressed with Jessica Day George's male and female characters. It is a great mark of talent nowadays when an Author can write interactions between male and female characters (especially ones that are meant to end up together in the end) without making it annoying. I absolutely hate these "playful" banters - and I'm talking about the ones where the girl pretends to be all tough and hate the man, when in fact she is sweet on him, and visa-versa. It is so modern and overall aggravating. It isn't funny; not in my opinion, and Authors do it so much now, which results in the unfortunate occurrence of both characters being irritating beyond words.

Christian, Prince of the Danelaw, is not irritating. He isn't Galen from Princess of the Midnight Ball, but he is just as likable. The Reader cannot help but feel sorry for him when he falls under the spell. You don't want to see him acting stupid, and you end up feeling embarrassed for him (and Dickon) when he makes a fool of himself. But poor Christian isn't to blame, and he struggles valiantly and realizes fairly quickly that something is not right.

Poppy is spirited and not the most ladylike woman around, but she isn't what my sister and I call a "leather-bra-wearing-kick-butt-I-can-do-absolutely-anything-despite-my-noodle-arms" girl who stomps around in clothes that will produce uncouth comments from males, but gets mad when this happens, but is secretly flirting in her anger. She is tough, sharp-witted, and certainly isn't afraid of getting her hands dirty. She does what needs to be done, and yet retains the attitude and grace a woman of late eighteen to early nineteenth-century would have. She's practical, and I absolutely love practical-minded female characters.

The story itself was intriguing. I have read many variations of Cinderella, and this was one of the best. Cinderella - or Ella, as she is usually called in variations - was always the focus of the story, and portrayed as the absolute victim. This one portrayed things a little differently, and I actually didn't like her at first. Even when it is revealed that she is, overall, a victim, she isn't the strong-willed girl most Authors like to see her as, but shy and frightened. It was a very interesting version to read, and in some ways it is my favorite.

I rather hope Jessica Day George writes more stories with the twelve princesses from Princess of the Midnight Ball. I would like to know what happens to the others, and I'm certain there are plenty of fairy tales for Jessica Day George to build around. I'm certainly adding this one along with its companion to my collection.
Star Rating: 5/5 (this book was amazing)

Read Hazel West's review here!

Others in This Series:
1)Princess of the Midnight Ball
2)Princess of Glass

3)Princess of the Silver Woods

Wednesday, September 15, 2010

The Inside Story Review (Michael Buckley)

Sabrina and Daphne Grimm have studied hundreds of fairy tales as part of their family business, but they never thought they'd actually be in one. And yet that's exactly what happens when they follow the diabolical Master of the Scarlet Hand into the Book of Everafter - a mysterious tome in which copies of the world's fairy tales live out their stories over and over again. The Grimms must track down the Master while avoiding the Book's tyrannical Editor, who is devoted to keeping the stories on track, and his army of story-gobbling revisers. In the Book of Everafter, stories can be rewritten and destinies changed, which is why Sabrina and Daphne must find the Master before he can alter his fate - and the fate of the whole world.

I've found this series funny and one of the cleverest "retellings" I've read in a long time. Most of the characters are annoying, especially Sabrina, but if you are a fan of fairy tales and like to read comedies based on them, then you can ignore these annoyances. Daphne is awesome, and Sabrina does get a little better after . . . five or six books. And the series definitely keeps you guessing once the main plot is introduced (which doesn't take long). That said, let us turn our attention to Book Eight.

I didn't hold too much hope for this one. Eight books is a lot, and authors can make fun of fairy tales for only so long. After reading Book Seven - The Everafter War - I was a little tired of them and dearly wishing Michael Buckley would stop, even though I was greatly impressed with Book Seven's twisty and unexpected ending. Who would have ever guessed that he would turn out to be the Master? I'm glad it took Mr. Buckley a year to write The Inside Story, otherwise I might have found this one tedious. But the rest did my perspective good, and even so there is no denying that this one was entertaining.

As an author, I view characters in a much different manner than your day-to-day bookworm. They can be, and usually are, as real to me as any friend. They have their personalities, desires, bad days, and undying loyalty (or clever evilness, depending on what sort of character they are). An author may think they control their characters' fates, but meddle with their wishes too much and the characters may rebel. It is because of this that I found the situations involving the Editor and the characters in the Book of Everafter so hilarious and rather relate-able (in a sense). The Editor thought he controlled the characters; he revised and revised as much as he wanted in order to keep the stories on track, but in the end some of the characters rebel and he has a hard time keeping them from killing him. In reality, rebellious characters won't kill you (not usually), but they will leave your service, giving you nothing but an empty shell with their name. And trust me - readers notice when this happens.

Over all, this was a fun adventure - following Sabrina and Daphne through various familiar fairy tales and seeing how they messed them up. A safe "what-if" scenario. I particularly liked what Michael Buckley did with the Snow White story. He introduces a concept that Snow White and the Seven Dwarfs wasn't always like it is now; that it was once a very dark, depressing, and dramatic story that was too dangerous to be kept that way, and it had to be revised. But the dangerous element could not simply be wiped away - it is still out there, desiring to be free.

Fans of the The Sisters Grimm won't be disappointed. Especially with the hilarious situation between Puck and Sabrina, and the surprising end (though not nearly as surprising as The Everafter War). My only hope is that Michael Buckley will not drag this series out to a point where people just get sick to the teeth of it and quit. Buckley can get by with at least one more installment - possibly two more, but it will be stretching it. Any more and he will be hitting the dangerous zone.
 
Star Rating: 3/5 (liked it)

Others in The Sisters Grimm Series:
1)The Fairy-Tale Detectives
2)The Unusual Suspects
3)The Problem Child
4)Once Upon a Crime
5)Magic and Other Misdemeanors
6)Tales from the Hood
7)The Everafter War
8)The Inside Story

9)The Council of Mirrors